|
|
|
REMBRANDT Harmenszoon van Rijn Double Portrait of Cornelis Claesz.Anslo and His Wife,Aeltje Gerritsdr Schouten mk93
1641
Oil on canvas
69 1/4x82 5/8in
|
|
|
|
|
|
|
|
|
|
REMBRANDT Harmenszoon van Rijn Self-Portrait with a Dead Bittern mk93
1639
Oil on panel
47 1/2x34 3/4in
Gemaldegalerie,Dresden
|
|
|
|
|
|
|
|
|
|
REMBRANDT Harmenszoon van Rijn Girl with Dead Peacocks mk93
c.1639
Oil on panel
57x53 1/3in
Rijksmuseum,Amsterdam
|
|
|
|
|
|
|
|
|
|
REMBRANDT Harmenszoon van Rijn Self-Portrait as a Young Man mk93
1629
Oil on panel
6 1/8x5in
Alte Pinakothek,Munich
|
|
|
|
|
|
|
|
|
|
REMBRANDT Harmenszoon van Rijn Portrait of Ariosto mk93
c.1512
Oil on canvas
32x26 1/8in
National Gallery,London
|
|
|
|
|
|
|
|
|
|
REMBRANDT Harmenszoon van Rijn Self-Portrait mk93
1639
|
|
|
|
|
|
|
|
|
|
REMBRANDT Harmenszoon van Rijn The Militia Company of Frans Banning Cocq,Known as The Night Watch mk93
1642
Oil on canvas
143x172 3/8in
|
|
|
|
|
|
|
|
|
|
REMBRANDT Harmenszoon van Rijn Landscape with a Stone Bridge mk93
c.1638
Oil on panel
1 5/8x16 3/4in
Rijksmuseum,Amsterdam
|
|
|
|
|
|
|
|
|
|
REMBRANDT Harmenszoon van Rijn Winter Landscape mk93
1646
Oil on panel
6 5/8x9in
Gemaldegalerie,Kassel
|
|
|
|
|
|
|
|
|
|
REMBRANDT Harmenszoon van Rijn The Staughtered Ox mk93
Oil on panel
28 7/8x20 3/8in
Glasgow Art Gallery and Museum
|
|
|
|
|
|
|
|
|
|
REMBRANDT Harmenszoon van Rijn Girl Leaning on a Window Sill mk93
1645
Oil on canvas
32 1/8x26in
Dulwich Picture Gallery.
London
|
|
|
|
|
|
|
|
|
|
REMBRANDT Harmenszoon van Rijn Young Woman in Bed mk93
c.1647
Oil on canvas
32x26 3/4in
National Gallery of Scotland,
Edinburgh
|
|
|
|
|
|
|
|
|
|
REMBRANDT Harmenszoon van Rijn Bathsheba mk93
1654
Oil on canvas
56x56in
Louvre,Paris
|
|
|
|
|
|
|
|
|
|
REMBRANDT Harmenszoon van Rijn Bathsheba Bathing mk93
1642
Oil on panel
22 1/2x30in
Metropolitan Museum of Art.New York
|
|
|
|
|
|
|
|
|
|
REMBRANDT Harmenszoon van Rijn Portrait of Hendrickje Stoffels mk93
1659
Oil on canvas
40 1/8x33in
National Gallery,London
|
|
|
|
|
|
|
|
|
|
REMBRANDT Harmenszoon van Rijn Flora mk93
c.1654
Oil on canvas
39 3/8x36 1/8in
Metropolitan Museum of Art.New York
|
|
|
|
|
|
|
|
|
|
REMBRANDT Harmenszoon van Rijn Self-Portrait as St.Paul mk93
1661
Oil on canvas
36 5/8x36 1/8in
|
|
|
|
|
|
|
|
|
|
REMBRANDT Harmenszoon van Rijn Woman Bathing in a Stream mk93
1654
Oil on panel
24 1/3x18 1/2in
National Gallery,London
|
|
|
|
|
|
|
|
|
|
REMBRANDT Harmenszoon van Rijn Self-Portrait Laughing mk93
c.1669
Oil on canvas
32 1/2x25 5/8in
|
|
|
|
|
|
|
|
|
|
REMBRANDT Harmenszoon van Rijn The Artist as Zeuxis mk93
1685
Oil on canvas
56x66 1/2in
|
|
|
|
|
|
|
|
| |
|
|
REMBRANDT Harmenszoon van Rijn
|
Born 1606, Died 1669.One of the great Dutch painters and printmakers of the 17th century, Rembrandt van Rijn is best known for his expressive use of light and shadow (also called chiaroscuro) in his many portraits. Raised in Leiden, he studied with Pieter Lastman (1583-1633) in Amsterdam, then returned to Leiden around 1625 and set up shop as a teacher and portrait artist. Sometime between 1630 and 1632 Rembrandt relocated to Amsterdam, where he spent the rest of his career. Though he had his detractors (some of whom considered him coarse and "low born"), Rembrandt was successful and famous during his lifetime, though he fell on financial hard times in his later years. He was a master printer and produced hundreds of group portraits and historical paintings, including The Anatomy Lesson of Dr. Tulp (1632), The Military Company of Captain Frans Banning Cocq (1642) and Aristotle with a Bust of Homer (1653). His portraits -- including a lifelong trail of intriguing and rather frank self-portraits -- reveal his interest in psychological study and continue to be admired as landmarks in Western art. The Military Company of Captain Frans Banning Cocq is also known as "The Night Watch" because it was thought the painting depicted a nighttime scene. When the painting was cleaned in the 1940s it became obvious that it depicted a daytime scene... He married Saskia van Ulenburgh (also Uylenburgh) in 1634.
|